
![]() "Art for me is an instrument of communication-with myself and others. It forces me to continually examine my own thoughts and actions, as well as those of others. The experiences in life can be viewed in a flexible and inclusive manner without limitations."
"Art is not some theory that you learn, but a way of life that you choose to develop. Once nurtured it thrives on your memory bank and your need to reach out and seek to understand the tangible and the intangible.
"Thus, for me, art and life are inseparable."
Dr. Samella Lewis |
"A native of New Orleans, Louisiana, Samella Lewis is a renowned artist, art historian, educator, and art
advocate. Her creative impulse became evident in early childhood and the colorful Louisiana environment
continues to reveal itself in many of her paintings, prints, and drawings. It was her good fortune to become a
protégé of Elizabeth Catlett, her artist-teacher at Dillard University, whose social and political awareness
reinforced her own, and she followed her to Hampton University in Virginia. There, in the forties, she was
influenced by Viktor Lowenfeld, a refugee from European Nazism in the segregated southern United States.
The irony was not lost on any of them. Her interest in portraiture, fostered by an Italian portrait painter
whose studio she frequented in her youth, calligraphy, furthered by study in China, and Abstract Expressionism,
developed in those formative years, combine to make her pallets rich in form, texture, color, and ideas.
The many years of teaching and advocacy never diverted her from her first love—inspirational images and
remembrances of a life lived fully."
M.J. Hewitt, Ph.D.
In spite of her impressive academic achievements and numerous honorary doctorates, Samella Lewis continues her
quest to educate the public about African American artists. She collaborated with Elizabeth Waddy in publishing
a two-volume illustrated guide to contemporary African American Artists entitled
Black Artists on Art.
Realizing the need for a textbook on the history of African American art, and her dreams of educating the
public about this unique group of artists, Lewis's
Art: African American
was published in 1978 and 1990. She is best known for her contributions to the education of the public through
her tenure as editor-in-chief of
The International Review of African American Art
(formerly the Black Arts Quarterly).
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